When Stef and I tell family, friends, and other potential readers that we write fantasy, we usually receive one of two responses: “You mean like Harry Potter?” or we just get “the stare.” You know, the kind of condescending ogling that indicates that grown adults—married, no less—should not be wasting their time creating a silly children’s tale. We still don’t know why people think we’re writing and drawing a massive comic book. There’s also the response of polite interest which usually degrades into the infamous stare after we open our traps and explain the World of Secramore.
Now to be fair, most people don’t wish to be inundated with the difference between mages and wizards, and why it is we made Arcturus’s skin red. (Note: it’s red because Matt said so. Period.) We’ve learned when to divulge our passion to people, but how do we explain that not all fantasy is for children and AD&D (Advanced Dungeons and Dragons) players? How do we make the average adult understand that it’s all right to pick up J.R.R. Tolkien’s Lord of the Rings trilogy and let it sweep you away?
The answer is not as simple as one might think, and it stretches far outside the reach of the literary world. The movie industry, for example, has made the leap into fantasy, but that’s not necessarily a good thing. Most of the time Hollywood gets the genre wrong. Really wrong! Not all fantasy classics—old and new—translate well to screen, if at all. Peter Jackson’s rendition of the Lord of the Rings is one of the few films to get it right, and that’s because of the director’s passion for the books…and New Line Cinema’s loose purse strings. J But for every good fantasy movie, ten forgettable or downright awful duds find their way to the big screen.
On the flipside, Harry Potter books managed to rake in readers of all ages. Surely J.K. Rowling’s magnificent story of a boy wizard made people open their minds to the world of fantasy, right? Nope. Why? Timing? Could it have been a passing fad? Maybe it’s because her books didn’t take themselves too serious. Or perhaps they were just so well written that they transcended the genre.
But there’s more out there than Rowling and Tolkien. Why hasn’t Patrick Rothfuss’s name snared the attention of millions? How come Margaret Weis and Tracy Hickman aren’t household names? Why isn’t Raven’s Heart the New York Times’ #1 bestseller? Well, for starters, our 2nd edition has yet to see the light of day, so there’s still a chance. But as for everything else, I believe the genre carries with it a deep and irreversible stigma. Fantasy seems to be considered second rate literature. Its name is synonymous with role playing, gaming conventions, video games, geeks, and the escape of reality. All of this is true, but consider this quote from fantasy author Terry Brooks before making and judgments.
“People who view fantasy as second rate or childish are usually people who don't read or understand it. I like to tell them that good fantasy is social commentary combined with good storytelling - Tolkien, C. S. Lewis, the Oz stories and so many others. Sure, the stories take place in an imaginary world. But those worlds mirror our own and tell us things about ourselves that need to be said and understood. I also like to tell them how often other forms of literature use fantasy as the bedrock of their own stories. Fantasy transcends its own form in wider scope than any other type of writing.”
Adult fantasy exists, and there are those who read and write it. The genre’s roots are ancient; the Odyssey and Beowulf come to mind. Fantasy has evolved since those early times, but it’s just as valid a genre. The world needs to take a break from reality and plunge headfirst into the world of dragons, magic, uncharted lands, and most important, fine literature. A little escapism never hurt anyone.
-Matt
Now to be fair, most people don’t wish to be inundated with the difference between mages and wizards, and why it is we made Arcturus’s skin red. (Note: it’s red because Matt said so. Period.) We’ve learned when to divulge our passion to people, but how do we explain that not all fantasy is for children and AD&D (Advanced Dungeons and Dragons) players? How do we make the average adult understand that it’s all right to pick up J.R.R. Tolkien’s Lord of the Rings trilogy and let it sweep you away?
The answer is not as simple as one might think, and it stretches far outside the reach of the literary world. The movie industry, for example, has made the leap into fantasy, but that’s not necessarily a good thing. Most of the time Hollywood gets the genre wrong. Really wrong! Not all fantasy classics—old and new—translate well to screen, if at all. Peter Jackson’s rendition of the Lord of the Rings is one of the few films to get it right, and that’s because of the director’s passion for the books…and New Line Cinema’s loose purse strings. J But for every good fantasy movie, ten forgettable or downright awful duds find their way to the big screen.
On the flipside, Harry Potter books managed to rake in readers of all ages. Surely J.K. Rowling’s magnificent story of a boy wizard made people open their minds to the world of fantasy, right? Nope. Why? Timing? Could it have been a passing fad? Maybe it’s because her books didn’t take themselves too serious. Or perhaps they were just so well written that they transcended the genre.
But there’s more out there than Rowling and Tolkien. Why hasn’t Patrick Rothfuss’s name snared the attention of millions? How come Margaret Weis and Tracy Hickman aren’t household names? Why isn’t Raven’s Heart the New York Times’ #1 bestseller? Well, for starters, our 2nd edition has yet to see the light of day, so there’s still a chance. But as for everything else, I believe the genre carries with it a deep and irreversible stigma. Fantasy seems to be considered second rate literature. Its name is synonymous with role playing, gaming conventions, video games, geeks, and the escape of reality. All of this is true, but consider this quote from fantasy author Terry Brooks before making and judgments.
“People who view fantasy as second rate or childish are usually people who don't read or understand it. I like to tell them that good fantasy is social commentary combined with good storytelling - Tolkien, C. S. Lewis, the Oz stories and so many others. Sure, the stories take place in an imaginary world. But those worlds mirror our own and tell us things about ourselves that need to be said and understood. I also like to tell them how often other forms of literature use fantasy as the bedrock of their own stories. Fantasy transcends its own form in wider scope than any other type of writing.”
Adult fantasy exists, and there are those who read and write it. The genre’s roots are ancient; the Odyssey and Beowulf come to mind. Fantasy has evolved since those early times, but it’s just as valid a genre. The world needs to take a break from reality and plunge headfirst into the world of dragons, magic, uncharted lands, and most important, fine literature. A little escapism never hurt anyone.
-Matt